Analysis of to autumn. John Keats To Autumn Analysis 2022-12-16
Analysis of to autumn Rating:
8,2/10
1210
reviews
To Autumn is a poem written by the English Romantic poet John Keats in September 1819. It is considered one of Keats's most memorable and beautiful works, and it is often seen as a celebration of the changing of the seasons and the abundance of the natural world.
In the first stanza, Keats personifies the season of autumn as a "mellow fruitfulness," describing the abundance of fruit on the trees and the "maturing sun" that ripens the crops. He also describes the "cooling" winds and the "misted" brows of the reapers, suggesting the sense of relief and rest that comes with the end of the harvest season.
In the second stanza, Keats continues to celebrate the natural world, describing the "full-grown lambs" and the "hedge-crows" that are "fat with fruit." He also mentions the "barns" that are "straw-lined" and "deep" with grain, indicating the abundance and prosperity of the autumn season.
In the third stanta, Keats shifts his focus to the passing of time and the impermanence of life. He describes the "death-bed" of the year, with the "death-bed fadeless" flowers and the "soft-dying day," suggesting the beauty and peacefulness of the end of life. He also mentions the "gleaning bee" that is "satiate" with honey, suggesting the sense of accomplishment and fulfillment that comes with the end of a productive season.
Overall, To Autumn is a tribute to the beauty and abundance of the natural world and the passing of time. Through his vivid and evocative language, Keats captures the sense of peace and fulfillment that comes with the end of the harvest season and the passing of another year. It is a timeless and enduring tribute to the cycle of life and the changing of the seasons.
To Autumn (Keats poem) Quotes and Analysis
Line 2: Close bosom-friend of the maturing sun; A bosom friend is a close friend, so close bosom-friend is a bit double. In the third stanza the goddess of Autumn is gone. Really without joking, chaste weather: Dian skies! So the line means that summer has made the nuts and flowers and all the harvest of summer grow until it bursts. To Autumn is a poem that learns how to breathe, and learns that breath means that things are ephemeral, or perhaps it would be better to say that the ephemerality of things makes breathing and singing possible. Last stanza has many images of this movement, like bleating lambs, singing crickets and birds.
Thy is the old-fasioned word for your. Nature's instinct Both of the quotes mentions more about nature and what nature has to give to us. Poetry and Repression: Revisionism from Blake to Stevens. The wealth of descriptions mean that this poem is great for analysis and comparison with others from the anthology, and evaluation is aided through the use of a variety of senses and transitional devices. New York: Columbia University Press, 1984. Maybe it's hard-wired into us that spring has to do with childhood and youth, summer with adulthood and romance and fulfillment and passion, autumn with decline and middle age and tiredness but also harvest, winter with old age and resentment and death.
Here the wind, being a part of the season, is doing work, harvesters would normally have to do. But signs of winter or coming death are already noticeable. The summer dying and no sunshine expresses a feeling of hopelessness. Stubble means the short stalk after the grain or some other harvest has been cut. Chris Paul Garden-croft is a piece of land next to the house, used as a vegetable garden. There is a rich bountifulness of food of the season.
The Birth of Industrial Britain: Social Change, 1750-1850. The first two stanzas are great examples for the landscape and nature poetry which was common during the Romantic Period. Line 15: Thy hair soft-lifted by the winnowing wind; We should see this place as an open barn or where the wind is coming through the open door. . To his ears, this music is simply as sweet because of the music of spring. Not only the message itself but also its addresser and addressee become ambiguous. The direct comparison of the autumn with a gleaner is not the only hint which creates the impression that the season is a kind of a harvester.
Similarly, it may prompt a reader to consider the role of Autumn in poetry, such as the typical focus on Winter, Summer and Spring in preference to Autumn. Vincent Millay contains many poetic elements that create a feeling of structure throughout. In both poems, symbols and diction are used to help the reader contrast the two separate works, and through these techniques, these two men elucidate on how humans can react to preordained death and how someone may feel once they grasp this concept. The theme going in the first stanza is that Autumn is a season of fulfilling, yet the theme ending the final stanza is that Autumn is a season of dying. The autumn is hesitating to do its work as a harvester. It not only describes, but also idealizes the nature and does not contain any signs of a changing society, industrialization or enlightenment. Cucumbers belong to the gourd family, as well as pumpkins and melons.
The Sound First of all how it sounds. Man is now faced with the probabilities of failure and defeat, as are every other animal. After reading one could assume that the speaker is trying to avoid the melancholy that is winter approaching to take over. The author gave human traits to other times of year too. The second turns the first into a kind of invocation—the invocation with which odes generally begin. Autumn in this stanza continues as a silent figure, but that silence is countered by the voice of the speaker or of the poem itself as it achieves its own power to confront the pressures of time. However, its structure and rhyme scheme are almost like those of his odes of the spring of 1819, and, like those odes.
As well, describing winter, writer resorts to the use of metaphor… Keats and His Legacy John Keats wrote many poems that had similar themes. Personifying the season as a person relaxing in a granary amid the fruits of harvest, the speaker emphasizes autumn's leisure: the image represents the season's ease and tranquility, but it also suggests innocence and ignorance. Spring finally is the season of hope; the nature wakes up from its hibernation, it gets warmer and people discover new or almost forgotten feelings for each other. These words are negatively associated; they cause the reader to be aware of life dwindling away. Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies.
Progressing from morning to afternoon and then dusk, this logical progression of time through the poem has strong links to the passage of Autumn from beginning, to middle and end and helps to further emphasise the idea of natural cycles. Keats's ode is divided into three eleven-line stanzas with the rhyme scheme of abab cdecdde. In England, that would be a robin. The romantic ideal was of the people in the countryside as completely unspoilt and natural. Budding means growing and expanding get bigger or, of flowers, coming out. Some readers may associate the growing dependence on hearing as the poem ends as reflective of the focus on hearing in comparison to sight when it is dark.
For instance, you have to have people lovemaking in a spring poem. Somehow, a stubble-field looks warm — in the same way that some pictures look warm. John Keats, being a Romantic poet, always writes with the emphasis of nature, and the importance of metaphysical… Commentary on Field of Autumn A vibrant time of year, autumn is presented as a season that offers many colours to adorn the landscape. This was the ridge where the crop was sown. This also returns the poem to its theme reminding Autumn of its similarity to Spring.
Who is the bosom friend here? One goes beyond the praise of the natures gift whereas the other scares with the impact and the description. Keats was inspired for this poem after an evening walk near Wnichester, according to many sources. Line 18: Spares the next swath and all its twined flowers: Spare means to save. But the second stanza also keeps the first stanza from coming to a complete halt. Analysis of Keats' To Autumn John Keats' poem To Autumn is essentially an ode to Autumn and the change of seasons.
