"Sorry, Wrong Number" is a classic radio play written by Lucille Fletcher and first performed in 1943. It has since been adapted for various mediums, including film and television. The story follows a bedridden woman named Mrs. Stevenson who overhears a murder plot while listening to a crossed phone line.
One of the most striking aspects of "Sorry, Wrong Number" is its use of suspense and tension. From the very beginning, the play creates a sense of unease as Mrs. Stevenson tries to determine the identity of the man on the other end of the phone. This is enhanced by the use of sound effects and the fact that Mrs. Stevenson is unable to see what is happening. As the plot unfolds and the full extent of the murder plot becomes clear, the tension only increases.
Another notable feature of the play is its use of irony. Mrs. Stevenson is a wealthy, privileged woman who is used to getting her way and having others do her bidding. However, in this situation, she is completely helpless and at the mercy of the murderers. This adds an extra layer of drama to the story and highlights the inherent vulnerability of all human beings.
The characters in "Sorry, Wrong Number" are also well-developed and contribute to the overall tension of the story. Mrs. Stevenson is a complex and well-rounded character whose motivations and desires are gradually revealed as the play progresses. The murderers are also given depth, with their own motivations and desires driving their actions.
Overall, "Sorry, Wrong Number" is a masterful example of suspense and tension in storytelling. Its use of irony, well-developed characters, and sound effects all contribute to its effectiveness as a thriller. It is a timeless classic that continues to captivate and intrigue audiences to this day.
Lucille Fletcher's Sorry, Wrong Number: Summary & Analysis
As it is eventually realized, her paranoid fantasy is really true. They are targeting a woman, home alone, who lives near a bridge. The audience cannot be certain if this person is actually in the house or if Mrs. Sorry wrong number is published in 1943. The importance of politeness is another prevalent theme, as one can't help but wonder whether the telephone operator would have been more sympathetic towards Mrs. The two characters are Bill and Katie.
Sorry, Wrong Number
In her terror and worry, she reaches out to Henchly Hospital, the hospital where she had her appendix removed two years prior. In this version, a major theme is the consequences of greed. Stevenson's head that she might be the murder victim. What number is this, please. Stevenson had had a friend or companion with her, the outcome may have been completely different.
Sorry, Wrong Number
STEVENSON: You didn't try to get that wrong number at all. Finally, Sorry, Wrong Number is an example of the horror genre, which elicits strong feelings of fear and dread. The fear and helplessness Mrs. When the play opens, she had already been trying to reach him for half an hour to no avail. The Importance of Civility One of Mrs. In ¨Following Boo¨, Nathan is struggling with his grandpa's lost and when his parents say that they can keep Boo Nathan gets angry and tells Boo to leave.
Sorry, Wrong Number Themes
. One popular radio show, Suspense, regularly aired short, suspenseful radio plays. Stevenson finally makes contact with the police station, she immediately engages with the police sergeant, Martin, in a very hostile way. Stevenson, a self-declared invalid. Duffy, Western Union, Chief Operator, Henchley Hospital secretary, George, Man, and the four operators. Stevenson overhears a murder plan. Alexander reveals that he gave Henry her prognosis ten days ago, something that Henry kept from her.
Sorry, Wrong Number Symbols & Objects
NS described that her mother came behind her and spoke in a low voice that this old gentleman was her Trifles Gender Roles 823 Words 4 Pages kicks his foot against the pans under the sink Not much of a housekeeper, would you say, ladies? Looking back at the paper now I see that I should have added a lot more detail and discussed comparative points throughout the two stories. Isolation One of the more ironic aspects of the story is that Mrs. Stevenson is bedridden and bemoans that she cannot get out of her bed. In his classic film, Do the Right Thing, he reveals the struggles of an interracial community that doesn 't get along with each other. Although he is apparently taking the call that the operator put through for Mrs. Stevenson, a man is on the line. NS was still little.
Play Analysis
Meanwhile, the audience learns that Mrs. She lies alone on her bed all night waiting for her husband to return home, and in her hour of dire need, she is left unattended. Our client does not wish her to suffer long. Henry has a change of heart in the last scene, but he's too late. Stevenson gets in touch with the hospital receptionist at Henchley Hospital.
Sorry, Wrong Number Summary & Study Guide
Twenty-five, he had only twenty-five minutes to get to school on time. Network Library web site, December 8, 2011. . She depends heavily on her bedside telephone. Stevenson, a woman who, thanks to an issue from the operator, accidentally overhears a murder being plotted over the phone.
