The bear by anton chekhov full text. The Bet Full Text 2022-12-07
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A somatic reflex is a reflex that involves the activation of sensory receptors and muscles in the body. It is a type of reflex that allows the body to automatically respond to stimuli in the environment without the need for conscious thought or control. There are many examples of somatic reflexes, but one common example is the patellar reflex, also known as the knee-jerk reflex.
The patellar reflex is triggered when the patellar tendon, located just below the kneecap, is tapped or stretched. This activates sensory receptors in the tendon, which send a signal to the spinal cord. The spinal cord then sends an automatic response back to the muscles in the lower leg, causing the leg to kick out.
The patellar reflex is a simple reflex that helps to protect the body from harm. For example, if an object were to fall on the leg, the reflex would cause the leg to kick out, helping to avoid injury.
Another example of a somatic reflex is the gag reflex. This reflex is triggered when something touches the back of the throat, such as food that is too large to swallow or vomit. The reflex causes the muscles in the throat to contract, helping to prevent the foreign object from entering the airway and causing choking.
In conclusion, somatic reflexes are automatic responses that are triggered by sensory receptors in the body. They allow the body to quickly respond to stimuli in the environment without the need for conscious thought or control. The patellar reflex and the gag reflex are two common examples of somatic reflexes that help to protect the body from harm.
Anton Chekhov
. I grieved over her, I wept for a month, and that's enough for her, but if I've got to weep for a whole age, well, the old woman isn't worth it. I'm not going to be insulted by anybody, and I don't care if you are a woman, one of the "softer sex," indeed! During his confinement, the lawyer expands his understanding of the world by reading their works. . His naive eyes, his crumpled coat, his cheap tie and the smell of iodoform made an unpleasant impression upon me; I felt as though I were in vulgar company. I went into the drawing-room.
‎The Bear by Anton Chekhov (Illustrated) on Apple Books
. That's real silly feminine logic. When one remembers that all those objects were standing in the same places and precisely in the same order when I was a little child, and used to come here to name-day parties with my mother, it is simply unbelievable that they could ever cease to exist. I shan't let you play about with me, confound it! I had a feeling very much like that which I had on the North Sea during a storm when every one thought that our ship, which had no freight nor ballast, would overturn. That's silly and rude.
. There was a time when I played the fool, scented myself, used honeyed words, wore jewellery, made beautiful bows. And I told you perfectly plainly I don't want the money the day after to-morrow, but to-day. . I'd rather sit on a barrel of gunpowder than talk to a woman. Or do you expect me to go and run my head into a brick wall? Decent people don't talk to a woman like that! This is one of Chekhov's very short plays, an unquestionable comedy, as opposed to the author's full length dramas which he considered comedies, but which are certainly of a more serious ilk.
She laughed and talked with Ivan Ivanitch without being in the least disturbed that she was in my room and that I was not laughing. You don't know how to behave before women! Yesterday you reproached me with indifference and with being devoid of the feeling of compassion. . . Oh, Lord, have mercy and save her. .
Madam is ill and will see nobody. You want to go on at me till the morning, but I warn you I am quite worn out and cannot answer you. When she's in love, can she do anything but snivel and slobber? Shall I have some vodka, what? And how well you look in mourning! The cookie is used to store the user consent for the cookies in the category "Analytics". . . A glass of vodka! It's about time we got rid of the prejudice that only men need pay for their insults. .
I'll sit here all the time. You know that when Nicolai Mihailovitch died, life lost all its meaning for me. . I did, but he wouldn't even listen; says that it's a very pressing affair. He threw himself eagerly into these studies—so much so that the banker had enough to do to get him the books he ordered. . Oh, if you knew how angry I am, how angry I am! I know those dimples! Get out of this! A man is in desperate need of his money, and she won't pay it because, you see, she is not disposed to attend to money matters!.
. He recognized my coachman, smiled at him and said something, and mechanically took off his hat to me. Please leave me alone! I'm even sorry to have to kill her! I've refused twelve women, and nine have refused me! She is a woman! Then after the tenth year, the prisoner sat immovably at the table and read nothing but the Gospel. You mean to say, you can't pay me? We were standing in the dimly lighted vestibule. No, better at home whatever awaited me there.
Plays by Anton Chekhov, Second Series by Anton Pavlovich Chekhov
We are both dead. Our relations were such that that feeling might seem surprising and ridiculous. We live, so to speak, like spiders, and never see the light. Get out of this, now. .
