"The Outside" is a short story written by Susan Glaspell in which the narrator, a young woman named Mary, reflects on the events of the past summer and how they have affected her.
At the beginning of the story, Mary is seen as an ordinary, unremarkable young woman. She spends her days working in a factory and her nights reading and daydreaming about the adventures she wishes she could have. However, everything changes when she meets a group of radical activists who are determined to fight for social justice and change the world.
Through her interactions with these activists, Mary begins to question the status quo and becomes increasingly aware of the injustices and inequalities present in society. She becomes passionate about their cause and starts to take action, eventually participating in a protest that leads to her arrest.
As Mary reflects on her experiences, she realizes that she has undergone a profound transformation. She is no longer the same quiet, unassuming young woman she was at the beginning of the story. Instead, she has become a strong, confident individual who is willing to stand up for what she believes in and fight for change.
Throughout "The Outside," Glaspell presents a powerful critique of the societal norms and expectations that often hold people back and prevent them from reaching their full potential. She suggests that it is only by breaking free from these constraints and embracing our individuality that we can truly thrive and make a difference in the world.
Overall, "The Outside" is a thought-provoking and inspiring story that encourages readers to think critically about the world around them and to take action to make it a better place. It is a testament to the transformative power of activism and the importance of standing up for what we believe in, no matter the consequences.
Susan Glaspell Analysis
Act 1 discloses founder Silas Morton, with the collaboration of a Hungarian refugee, envisioning a college dedicated to the American ideals of freedom and hope for the oppressed. A group, the mostly composed of men, travel to the Wright house in the hopes that they find incriminating evidence against Mrs. George Cram Cook had originally played this role. Bury it—watching the sand bury the woods. Does she want folks to die? Le Gallienne became interested in the play and had been impressed with the excellent British newspaper articles about the playwright as well as the positive reviews it had received in England during its 1925 run. In Susan Glaspell 's "Trifles" she uses the bird cage and the dead bird to present the role and life of women in marriage and society, whereas Henrik Ibsen uses the dollhouse as a way for the reader to recognize the plays main similarities in the treatment of women.
Trifles By Susan Glaspell Literary Analysis
ALLIE MAYO: Yes, we named it that, and we had reason. Woods to hold the moving hills from Provincetown. Herself lost, feeling her way into the wonder of life. The men in the cast were Hutchinson Collins as Bradford, Louis Ell as Tony, and Abram Gillette, in a second role during that bill, as the Captain. A line of land way out to sea—land not life. BRADFORD: I never saw him before.
Susan Glaspell, "The Outside," 1916
The men come in, open the closed door and go in the room where they left the dead man. As she speaks, and crying under her breath, she pushes the sand by the door down on the half buried grass—though not as if knowing what she is doing. The women ironically become the main characters of this murder mystery, which was groundbreaking in the time that Glaspell wrote this play. The three men go; as they are going around the drift of sand ALLIE MAYO comes in carrying a pot of coffee; sees them leaving, puts down the coffee pot, looks at the door the CAPTAIN has closed, moves toward it, as if drawn. The women enter the house as a home rather than a crime scene.
The outside by susan glaspell Free Essays
The characters around whom the main plot revolves, Mr. TONY: A woman—she makes things pretty. The men are accompanied by two of their wives, Mrs. I'll go on awhile. She is a 'city woman', a sophisticated person who has been caught into something as unlike the old life as the dunes are unlike a meadow. ALLIE MAYO: He's not? Patrick needs to choose life, but Mrs. He is young and a professional, but is also a male chauvinist.
