To penshurst. To Penshurst: Ben Johnson, Summary & Quotes 2022-12-21
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To Penshurst Analysis
The poem is also structured by means of time. Both art and society receive their forms from its example. Once inside, the movement is from guest to king to family, until finally it ends with the lord of Penshurst himself. If a person loved submitting to God, then the animals would also love submitting to that human being. For Jonson, they fail to do the vital work of maintaining the correct social hierarchy. Retrieved 23 September 2018. The classical allusion that dominates the first lines of the poem implies that tradition and learning are an integral part of Penshurst.
Cite this page as follows: "To Penshurst - Themes" eNotes Publishing Ed. But what can this more than expresse their love Adde to thy free provisions, farre above The need of such? Then hath thy Orchard fruit, thy garden flowers, Fresh as the ayre, and new as are the houres. He finishes the poem with a veiled blessing on the home. GradeSaver, 18 October 2022 Web. The citation above will include either 2 or 3 dates. Figures from Greek myth populate the landscape, and satyrs and fauns play amidst the trees. By making himself a comic figure, the poet playfully humbles himself before his patron.
Everything is physically and morally right in the house, in which the lady of the estate is an expert in running the house smoothly. This section does not Please help March 2021 Penshurst Place was enlarged after 1552 when King Edward VI granted the house to Sir Philip's brother, By the 19th century, the building was falling into disrepair, but a new occupant in 1818, Sir John Shelley-Sidney, and his son Philip began to restore it. Lovers are fauns and satyrs; a particular tree is remembered because Lady Leicester went into labor under it. In lines that bear the marks of pastoral odes, the poet explains that the estate has fine walks and great trees. These, Penshurst, are thy praise, and yet not all.
The social order and its perfection are evident when Jonson touches upon the "lady's noble, fruitful, chaste withal. Cite this page as follows: "To Penshurst - Themes and Meanings" Critical Guide to Poetry for Students Ed. This, in turn, guarantees hospitality, the social bond between host and guest. For all these reasons, Penshurst stands above other estates. In the second half, the poet, like the peasants on the Penshurst land, moves indoors. Nature here is rich, beautiful and bountiful, and as critic Raymond Williams describes in The Country and the City, "To Penshurst" reflects a ruling class ideology that obscures the real labor of the rural life, replacing it with a fantasy that the work is easy because fish jump out of the water in their eagerness to be caught and "every child" can reach the fruit to pick it:. The History and Topographical Survey of the County of Kent.
Cite this page as follows: "To Penshurst - Summary" eNotes Publishing Ed. Generosity and Consumption Jonson increases the appeal of Penshurst by contrasting it with the paltry conditions at other similar homes. See eNotes Ad-Free Start your 48-hour free trial to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts. Jonson is quick to indicate that "There's none that dwell about them wish them down" because those walls were "reared with no man's ruin, no man's groan. The poem begins with a contrast between Penshurst and other estates, which are showier in nature.
Penshurst is unmistakably Edenic: The abundance of animal and vegetable life, all willing to be sacrificed for the table, implies a prelapsarian world in which man does not have to labor. The poem begins on a surprisingly negative note. But what can this more than express their love Add to thy free provisions, far above The need of such? Guests are never begrudged extra food here, and the waiters bring them everything they want. Thy copp's, too, nam'd of Gamage, thou hast there, That never failes to serve thee season'd deere, When thou would'st feast, or exercise thy friends. The Sidney family were composed of the Viscount 1563—1626 and Viscountess 1563—1621 of Lisle and their children. Now, Penshurst, they that will proportion thee With other edifices, when they see Those proud, ambitious heaps, and nothing else, May say their lords have built, but thy lord dwells.
As the house defines the limits of the poem, so too does it define its community. It begins and ends with a direct address to Penshurst itself. The waiter does not need to envy the upper class guest his gluttony, as a waiter would if he were underfed. These men might visit these homes only occasionally, enlisting them when they wanted to impress guests. Of course, writing for a patron required the poet to depict their subject in a positive light. He also plays up the nobility of the Sidneys, by emphasizing that even a foolish man is made to feel welcome at their table. The last date is today's date — the date you are citing the material.
Later in the poem, Jonson alludes extensively to classical myth, describing Penshurst as a place that would be at home in the mythical "golden age" of Greek legend, when everything was better. This fecundity is emphasized by the birth images: The birth of a tree on the estate is paralleled with the birth of Sir Philip Sidney. The citation above will include either 2 or 3 dates. Now, Penshurst, they that will proportion thee With other edifices, when they see Those proud, ambitious heaps , and nothing else, May say their lords have built, but thy lord dwells. When All this proves what a fine estate Penshurst is. The estate's name is Penshurst and boasted many elite visitors including King James I 1566—1625.
They are, and have been, taught religion; thence Their gentler spirits have sucked innocence. The citation above will include either 2 or 3 dates. If Penshurst nurtures like a mother, it also breeds, and the poem suggests that Penshurst is a womb. A Moral Estate The overall enthusiastic tone of the poem indicates the author believes that Penshurst is a shining example of how the 17th-century ruling class should operate. Some of the most obvious hyperbole appears in the representations of the eels leaping onto shore to be eaten and the descriptions of the extravagant gifts brought by every visitor to Penshurst.
