Where are you going where have you been audiobook. Where are you going, where have you been? : selected early stories : Oates, Joyce Carol, 1938 2022-12-22

Where are you going where have you been audiobook Rating: 8,2/10 1605 reviews

"Where Are You Going, Where Have You Been?" is a short story written by Joyce Carol Oates and first published in 1966. The story follows Connie, a young and narcissistic teenager who is abducted by Arnold Friend, a seemingly charming but ultimately dangerous and predatory man.

The audiobook version of "Where Are You Going, Where Have You Been?" adds an additional layer of depth and emotion to the story. As a listener, you are able to fully immerse yourself in the events unfolding and feel a sense of urgency and fear as Connie realizes the danger she is in. The audiobook also allows you to fully experience the tension and manipulation that Arnold uses to lure Connie into his car.

One of the most striking aspects of the audiobook is the performance of the narrator. The voice actor does an excellent job of conveying the emotions and personality of the characters, particularly the transformation of Arnold from charming to threatening. The use of different accents and inflections also adds to the believability of the story and helps to bring the characters to life.

Overall, the audiobook version of "Where Are You Going, Where Have You Been?" is a highly effective and engaging way to experience the story. Whether you are a fan of audiobooks or simply want to experience this classic short story in a new way, the audiobook is definitely worth a listen.

Where Are You Going, Where Have You Been? by Joyce Carol Oates

where are you going where have you been audiobook

He read off the numbers 33, 19, 17 and raised his eyebrows at her to see what she thought of that, but she didn't think much of it. She is unsatisfied with her family, especially her mother, and seeks fulfillment elsewhere. Her mother on the other hand is always criticizing her making Connie feel as though she can never do anything right so much so that she wishes herself and her mother dead. In the story only men, never women, are seen driving, an activity widely seen to symbolize independence and control in American culture. Her world is superficial,. She sat on the edge of her bed, barefoot, and listened for an hour and a half to a program called XYZ Sunday Jamboree, record after record of hard, fast, shrieking songs she sang along with, interspersed by exclamations from "Bobby King": "An' look here, you girls at Napoleon's—Son and Charley want you to pay real close attention to this song coming up! All that screaming had blasted it out of her. What do you want? She saves money, helps their parents, and receives constant praise for her maturity, whereas Connie spends her time daydreaming.

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'Where Are You Going, Where Have You Been?': Joyce Carol Oates / Edition 1 by Elaine Showalter

where are you going where have you been audiobook

What're you saying, honey? That feels solid too but we know better. His sunglasses told nothing about what he was thinking. Through the tone and description of the passages, both characters are relieved to be attempting to play a role with potentially sinister implications. . He laughs, and Connie notices he seems unsteady on his feet.

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Where are you going, where have you been? : selected early stories : Oates, Joyce Carol, 1938

where are you going where have you been audiobook

But look: it's real nice and you couldn't ask for nobody better than me, or more polite. The sixties and seventies witnessed the emergence of Joyce Carol Oates as one of America's foremost writers of the short story. You know that and always did know it. The kitchen looked like a place she had never seen before, some room she had run inside but that wasn't good enough, wasn't going to help her. Arnold Friend: A mysterious figure who visits Connie while her family is not at home and continuously demands that Connie to get in the car and go on a ride with him.

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Where Are You Going Where Have You Been Audiobook

where are you going where have you been audiobook

She asks how he knows her name, and he says he knows a lot of things about her. ARNOLD FRIEND was written in tarlike black letters on the side, with a drawing of a round, grinning face that reminded Connie of a pumpkin, except it wore sunglasses. The gravel kept crunching all the way in from the road—the driveway was long—and Connie ran to the window. It was the same voice, Connie thought. Don't you know who I am? She shook her head as if to get awake. This is your day set aside for a ride with me and you know it," he said, still laughing. .


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Joyce Carol Oates

where are you going where have you been audiobook

I think he's great. Both boys wore sunglasses. This little girl's no trouble and's gonna be nice to me, so Ellie keep to yourself, this ain't your date right? Her bright green blouse was all wet. She spent three hours with him, at the restaurant where they ate hamburgers and drank Cokes in wax cups that were always sweating, and then down an alley a mile or so away, and when he left her off at five to eleven only the movie house was still open at the plaza. Sometimes, over coffee, they were almost friends, but something would come up—some vexation that was like a fly buzzing suddenly around their heads—and their faces went hard with contempt.


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"Where Are You Going, Where Have You Been" Literary Analysis

where are you going where have you been audiobook

It was the same program that was playing inside the house. The driver's glasses were metallic and mirrored everything in miniature. This creates a degree of tension, as Arnold Friend is only visible through her eyes and emotions, making him a more ominous and frightening character. Therefore, the fake narrative that enforces the idea that popular culture is the most significant aspect of teenage life is represented through its grotesque religiosity. Various authors utilize different elements to enhance and strengthen their writing. He took off the sunglasses and she saw how pale the skin around his eyes was, like holes that were not in shadow but instead in light.


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Where Are You Going, Where Have You Been? on Vimeo

where are you going where have you been audiobook

I always tell the truth and I promise you this: I ain't coming in that house after you. She thought, I'm not going to sleep in my bed again. She thought for the first time in her life that it was nothing that was hers, that belonged to her, but just a pounding, living thing inside this body that wasn't really hers either. He declares that he is her lover, to her shocked terror, and she threatens to call the police. Now, you come outside.

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Oates Where Are You Going Where Have You Been Audio

where are you going where have you been audiobook

Get up all by yourself. If June's name was mentioned her mother's tone was approving, and if Connie's name was mentioned it was disapproving. Connie is often so miserable that she wishes she and her mother were dead. She felt a little lightheaded. Her father is fairly distant and busy with work. She recognizes his voice as the voice of a man on the radio. The model for womanhood is still limited, depicted in the story by the dowdy and domestic June.


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Where Are You Going, Where Have You Been?: Full Plot Summary

where are you going where have you been audiobook

A boy named Eddie came in to talk with them. Yet the scene can just as easily be interpreted as a panic attack described in vivid and violent metaphorical language. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right. Ultimately, both characters utilize outward appearance for their own ends. Meyers Cinematographer: Oscar D. I had to wash my hair first—'' She spoke in a dry, rapid voice, hardly raising it for him to hear.

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Where Are You Going, Where Have You Been?

where are you going where have you been audiobook

After a while she heard a car coming up the drive. He had to bend and adjust his boots. Furthermore, He repeatedly attempts to flirt, calling himself her friend and complementing her, yet his disguise indicates an underlying risk. She rushes to lock the door, but he tells her he could easily break it down. She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away from home. You're not from around here. And up at the front fender was an expression that was familiar— MAN THE FLYING SAUCERS.

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