Whitsun weddings poem. The Whitsun Weddings: Poem, Themes, Analysis 2022-12-15
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The compare and contrast structure is a common organizational method used to discuss the similarities and differences between two or more items. This structure is often used in academic writing, particularly in essays, as it helps to clearly and effectively communicate the points being made.
One of the key features of the compare and contrast structure is that it allows the writer to highlight the similarities and differences between the items being compared. This can be done through the use of various techniques, such as using transitional words and phrases, using parallelism, and using specific examples to illustrate the points being made.
One way to organize a compare and contrast essay is to use the point-by-point structure, in which the writer discusses one aspect of both items in each paragraph. For example, if the writer is comparing and contrasting two different novels, they might discuss the characters in one paragraph, the plot in another, and the themes in a third. This structure allows the writer to thoroughly analyze each aspect of both items, and to make clear connections between them.
Another way to organize a compare and contrast essay is to use the block structure, in which the writer discusses all of the aspects of one item in one section, and then all of the aspects of the other item in a separate section. This structure allows the writer to delve more deeply into each item, and to provide more detailed analysis. However, it can be more difficult to make clear connections between the two items using this structure.
Overall, the compare and contrast structure is a useful tool for discussing the similarities and differences between two or more items. By using transitional words and phrases, parallelism, and specific examples, writers can effectively and clearly communicate their points. Whether using the point-by-point or block structure, it is important for writers to carefully consider their purpose and audience in order to choose the most effective organizational method for their compare and contrast essay.
The Whitsun Weddings
We ran Behind the backs of houses, crossed a street Of blinding windscreens, smelt the fish-dock; thence The river's level drifting breadth began, Where sky and Lincolnshire and water meet. As a bachelor, he does not show any enthusiasm in the costume and the colour scheme; he finds it rather offensive. The first stanza is rich in alliteration used in phrases like sunlit Saturday, behind the backs of houses etc. Every time you stopped fresh emotion climbed aboard. TTFN Jim PS Inland it is according to the OUP book in my hands. At first, I didn't notice what a noise The weddings made Each station that we stopped at: sun destroys The interest of what's happening in the shade, And down the long cool platforms whoops and skirls I took for porters larking with the mails, And went on reading. Yes, from cafes And banquet-halls up yards, and bunting-dressed Coach-party annexes, the wedding-days Were coming to an end.
However, now that you mention it, it IS quite realistic that Larkin too might have intended this. The descriptions sum up England in the 1950's - a cricket match 'running to bowl' , the Odeon cinema, the 'jewelry-substitutes' showing poverty after the war, the embarrassing uncle making crude jokes, hedges, the smell of old cloth seats in the carriage and the huge expansion in house building after the end of the war. All this fresh, open life. They watched the landscape, sitting side by side -An Odeon went past, a cooling tower, And someone running up to bowl -and none Thought of the others they would never meet Or how their lives would all contain this hour. Cite this page as follows: "The Whitsun Weddings - The Poem" Critical Guide to Poetry for Students Ed. Yes, from cafes And banquet-halls up yards, and bunting-dressed Coach-party annexes, the wedding-days Were coming to an end.
Write a critical appreciation of the poem âWhitsun Weddingsâ.
There is a real paradox between the reality presented by the landscape and the ideals represented by the couples and the final image. The last date is today's date â the date you are citing the material. This could be a metaphor for the working class outstripping the upper class but that's another matter. All down the line Fresh couples climbed abroad: the rest stood round; The last confetti and advice were thrown, And, as we moved, each face seemed to define Just what it saw departing: children frowned At something dull; fathers had never known Success so huge and wholly farcical; The women shared The secret like a happy funeral; While girls, gripping their handbags tighter, stared At a religious wounding. The speaker moves from his satiric mood to a more sympathetic view in stanzas 5 and 6.
The citation above will include either 2 or 3 dates. Apparently, Larkin got the image of the arrow-shower from the Agincourt scene in the 1944 film of Henry V. He describes the scenery and smells of the countryside and towns through which the largely empty train passes. To me, the poem captures a short moment in time. Free at last, And loaded with the sum of all they saw, We hurried towards London, shuffling gouts of steam.
As the poem ends, he realizes, and brings the reader to realize, the immense importance of marriage, with its continuity and fertility, and the value of the traditional rites and customs within which those marriages begin. The second is the date of publication online or last modification online. Strangers sharing an experience for an hour or two before disappearing and never meeting again. He notes the different classes of people involved, each with their own responses to the occasion â the fathers, the uncles, the children, the unmarried female relatives. Hull is on the north bank of the Humber and is the scene of the fish docks.
The rhyme scheme ababcdecde and meter the second line of each stanza has four syllables; all the others have ten syllables each are highly structured but unobtrusive. Struck, I leant More promptly out next time, more curiously, And saw it all again in different terms: The fathers with broad belts under their suits And seamy foreheads; mothers loud and fat; An uncle shouting smut; and then the perms, The nylon gloves and jewelry-substitutes, The lemons, mauves, and olive-ochers that Marked off the girls unreally from the rest. The citation above will include either 2 or 3 dates. Wide farms went by, short-shadowed cattle, and Canals with floatings of industrial froth; A hothouse flashed uniquely: hedges dipped And rose: and now and then a smell of grass Displace the reek of buttoned carriage-cloth Until the next town, new and nondescript, Approached with acres of dismantled cars. And finally between Peterborough and London when you hurtle on, you felt the whole thing was being aimed like a bullet - at the heart of things, you know. There seems to be a sort of innocence. In literature a journey frequently functions as a metaphor for life itself.
He imagines the venues where the wedding receptions have been held. The first two stanzas describe a normal journey through the countryside on a hot afternoon. The cynical attitude of the poet is visible in the almost unkind description of the young women. All afternoon, through the tall heat that slept For miles inland, A slow and stopping curve southwards we kept. And how can a funeral be happy? The second date is today's date â the date you are citing the material. Sydney: University of Sydney Press, 1981. The Art of Philip Larkin.
