Dry september analysis. Minnie Cooper Character Analysis in Dry September 2022-12-08
Dry september analysis Rating:
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1987
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A Summary and Analysis of William Faulkner’s ‘Dry September’
Faulkner by depicting individual in combination, he gets an opportunity to convey discussion on the potential for both good and evil that results from mass action. In the barbershop, the ex-soldier urges everyone to find out what really happened, but he ends up joining the murderers. The "pall of dust" that characterizes the onset of night foreshadows Will's death; the day ends in a "pall," which is a cover draped over a coffin, and Will's life probably ends in the darkness of an abandoned pit. The last date is today's date — the date you are citing the material. She spends her days sitting on her porch in the mornings, window shopping with her friends in the afternoons, and at the moving pictures in the evenings.
Therefore, the mob hold constructions of human difference as the final negotiators of fate, guaranteeing that "white" and "black" are not labeled by skin color, but social and cultural positions, dynamic signs of "powerful" and "subjugated. Miss Minnie Cooper was psychologically tortured by the society and finds it difficult to accept herself that what the society thinks about her. But Miss Minnie is also a victim, a victim of her own sexual frustration. The "hemorrhage" of the moon intensifies the mob's rushing to capture Will; when they force him into the car, their breathing is described as "a dry hissing," an image linked to the sound a snake makes. The spokesman for quiet, calm justice is Henry Hawkshaw, one of the barbers. He was able to buy them a house in Oxford, which he named Rowan Oak.
She had been involved with a bank cashier, a widowed man, but he had left her to go and work in Memphis. The murdering of the Negro symbolized much larger societal problem of the 1930's America, in which white people in the south and even in some places in the north at the time were responding out of unreasonable and erroneous fear that they were losing their power to blacks. Though he was a bright child and had already learned to read before starting school, Faulkner did not graduate from high school and, after enrolling in the University of Mississippi in 1919, dropped out of college in 1920. Mayes attempts to talk to the men, maintaining his innocence, but the men ignore him as they drive out to an abandoned area of town. The barber, Henry Hawkshaw , attempts to convince the other men that Mayes is innocent, but the others angrily argue that a white woman must be telling the truth. While she is in the movie theatre, Minnie starts laughing uncontrollably, and her friends take her outside, where she continues to laugh in the street.
Such rigid boundaries, the story suggests, ignore the possibility of female agency and force men to perform an authoritative masculinity that, in this story, quickly escalates into violence…. Of course, Will Mayes is the most obvious victim. The southern economy further suffered during the Great Depression, which was compounded by drought conditions that lasted from 1934 to 1939, leaving hundreds of thousands of Americans without jobs throughout this primarily agricultural region. The themes and symbols that have been raised throughout the novel, in my opinion, are not just applicable to the fictional town of the two characters happen to live but also denotation of what was trendy in the 1930's southern society and is even relevant to various features of the American society today. From the decision made by the mass, the mass crowned Negro as into "adultery by public opinion" 175 , the extremist character gets to suffer on the ground of racial hatred. McLendon and his bigots are not interested in justice; they are out for blood, and nothing will satisfy them until they have murdered a black man, thus preserving the prejudices of the region.
The white men in the story clearly do not see Mayes as their equal, nor even as a full human being. The characters in his work are memorable forever. Are you going to let the black sons get away with it until one really does it? The second date is today's date — the date you are citing the material. The second date is today's date — the date you are citing the material. Hawkshaw finds the men on their way to find Will Mayes and joins them, still intending to keep the others from causing harm. The news has spread that McLendon and his gang have retaliated against Mayes for his presumed crime, and it is then that everyone notices that there are no black men in the square that evening. Appropriately, the story begins in a barbershop, a symbolic gathering place for small-town gossipers.
When the car returns, Hawkshaw hides in a ditch, afraid that the mob might be hungry for more violence, this time against him. Other people from his town, like John McLendon and Minnie Cooper, are secondary characters. Feeling sick, Hawkshaw begs McLendon to stop the car and let him out, to no avail. It has been sixty-two days since it last rained. Instead, it is obligatory that the white man act upon the premise that a Southern woman can tell nothing but the truth.
Introduction In "Dry September" Faulkner applies symbol and imagery to induce both empathies for and impeach the main characters. The description of an all-encompassing dust suggests death's immortality for Will. She dated a widowed bank clerk for a time, but he left her when he got a job in Memphis. They cannot even take full responsibility for their own behaviour and own what they have done. Lest we assume that the bigoted mentality displayed by these men is limited to Jefferson, Mississippi, Faulkner includes in the barbershop scene the man whom Hawkshaw is shaving.
As they are driving Mayes away, Hawkshaw demands to be let out of the car, not wanting to have any further part in what they do. For them, even the merest rumour of wrongdoing — no matter how tenuous it may be or how unreliable its source — is enough to justify their subsequent behaviour. Work Cited Faulkner, William. Because she is white, the culture sets her atop a mythical pedestal, creating an imaginary, protective shield through which the Southern aristocracy lets nothing pass that might endanger — both physically and emotionally — its women. The men have become poisonous creatures, influenced by the malevolent weather. Hawkshaw, having failed to maintain calm among the men in the barber shop, joins them in the hopes that he can keep them from hurting or killing Mayes.
The You can find a full analysis of the story in the following pages. Oddly, he continues to urge caution, only this time it involves keeping their voices down and parking far away so they can move in secret. In observing that "dust hung. Faulkner married Estelle Oldham, whom he had dated as a young man in Oxford, in 1929. As a Southern writer, Faulkner draws upon the mores and prejudices of his own regional culture to create unforgettable characters and settings for his novels and short stories. Although she had been popular when younger, she has never married or settled down, and remains single, possessed of a faded and slightly haggard beauty. As a result, mob mentality and deep-seated racism towards African Americans has led to an innocent man being killed.
📗 Formalist Analysis of Dry September By Faulkner William
Everything around him seems still and quiet, and we are left to assume that he and the other men killed Will Mayes, who was almost certainly innocent. The force of their violence draws in people who have been inclined to resist it. He finally decides to open the door while the car is moving and jump out. Already fueling people's need for violence, the alleged attack has occurred in the early morning of the day that begins the story. He walks to the bed, undresses, puts his gun on the bedside table, and attempts to wipe the sweat from his body.