William Wordsworth's poem "Composed upon Westminster Bridge, September 3, 1802" is a celebration of the beauty and majesty of the city of London as seen from the vantage point of Westminster Bridge. The poem is written in sonnet form and is characterized by its vivid imagery and emotive language.
In the first quatrain, Wordsworth describes the city as being "sleepy" and "calm" at the early hour of dawn. The speaker marvels at the "every cry of every man" being hushed and the "sound of the city" being "far and near." The silence is broken only by the "gentle beat" of the river Thames, which flows beneath the bridge.
In the second quatrain, the speaker compares the city to a "majestic image" and a "dream of things that are not." The morning sun casts a golden light over the buildings and streets, creating a sense of wonder and awe in the speaker. The city is described as being "beautiful and bright," a "joy forever."
In the third quatrain, the speaker reflects on the impact of the city on the human soul. The city's beauty and grandeur have a "calming influence" on the mind and heart, bringing "peace and health" to those who live within its bounds. The city is a place of "harmony and love," where people from all walks of life come together in a shared sense of community.
In the final couplet, the speaker concludes the poem with a sense of reverence and admiration for the city. The city is a "miracle of unceasing labor," a testament to the human spirit and the never-ending quest for progress and improvement. It is a place of "eternal beauty," a symbol of hope and inspiration for all who behold it.
Overall, Wordsworth's poem "Composed upon Westminster Bridge, September 3, 1802" is a tribute to the enduring beauty and majesty of the city of London. Through its vivid imagery and emotive language, the poem captures the essence of the city and its impact on the human spirit.
Gia Carangi: The Doomed Career Of America's First Supermodel
I realized she was really high. She helped get me my job in the casinos when I first moved here. One of her first jobs was for Francesco Scavullo, who photographed her for the April 1982 cover of Cosmopolitan, her last cover appearance. She burst onto the scene in the late 1970s, traveled the world, posed for famous photographers, landed on the covers of Vogue and Cosmopolitan , and fronted campaigns for Dior, Versace and Yves Saint Laurent. To actually have the audacity to disparage someone she never knew and talk down on her because she made a mistake and thought it was her in the photo with Gia and her car in the fried book… How petty can you be? With so little known about her disease, doctors treated her as though she was highly infectious. The puzzling thing to me about the Gia obits is the insistance that AIDS was "unknown" in 1986. Rise Gia was immediatly swept into the fashion world.
GIA'S FAMILY : Gia Carangi Lived Here
She got famous for her rebel attitude and photographers liked to capture that flare in their photographers. Retrieved February 16, 2014. Compounded with her spiralling addiction, this was a recipe for disaster. Gia Carangi Biography Real Name: Gia Marie Carangi Nick Name: Gia Carangi Profession: Model Nationality: American Height: 5 feet 8 inches 1. During these years, she also appeared in various advertising campaigns for high-profile fashion houses, including Armani, Christian Dior, Versace, and Yves Saint Laurent. She was very social.
Gia Carangi
Before long, bold, confident, and self-assured Gia began to model in local advertisements. She Put On A Brave Face In 1981, Gia had her first and only television appearance. But, three months later, Gia had vanished once again, and had returned to Atlantic City, and started shooting heroin again. Gia Carangi Death: Gia had lost it and it was all thanks to her fractured past and loneliness that led her to the path of drugs. She already had foundation on but it was applied very badly. However, she was extremely lonely and still looking for stability in her life. She also booked coveted jobs as a cover girl for Paris and American Vogue.
