Rear window themes. Themes and Structures in Alfred Hitchcock's Rear Window 2022-12-28

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Themes and Message of Hitchcock for the film 'Rear Window'

rear window themes

Retrieved July 14, 2021. Jeffries, a world traveling magazine photographer accustomed to living a fast pace active lifestyle. While she might end up married to her boyfriend, she subverts the stereotypical view of a woman as a wife, mother and homemaker as she has her own career and seemingly has confidence and autonomy over her body. Lisa's love and devotion isn't enough for him; his stubbornness keeps him emotionally distant from her, just as his camera keeps his neighbors at arm's length. The windows symbolise Jeff's voyeuristic tendencies and the pleasure he receives from watching others without their knowledge. His wife had recently passed away due to illness. Despite her situation, she is uplifted by music out of her despair.

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Analysis of Themes in Rear Window Essay

rear window themes

Alfred Hitchcock's Rear Window and Cornell Woolrich's It had to be Murder, whilst obeying and selectively utilising a few original conventions, manifest the ideology and social concerns of the postwar 1950s society in aspects of the modus operandi of the investigation, gender Gender Roles In Alfred Hitchcock's Rear Window And Strangers On A Train our everyday lives for quite sometime. But how much can he really achieve, other than photograph what he sees? Then the blinds are pulled and thus sexual relations are implied. Lighting is used in most scenes with Mr Thorwald to hint at his bad behaviour and to establish an ominous mood. The art of Alfred Hitchcock: Fifty years of his motion pictures. Fear of Marriage and Voyeurism in Rear Window In Alfred Hitchcock's 1954 classic thriller Rear Window, Jimmy Stewart stars as L. Because of his broken leg, Jeffries is confined to his apartment, and even to his wheelchair.

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Rear window themes

rear window themes

The movie is a much less gruesome affair than the usual Hitchcock, but nevertheless it still carries an edge to it. By exposing her willingness to take risks he sees that there is more to her than high society and fashion. Self-Reflection While the Thorwald mystery serves as a distraction for both Jeff and Lisa, who are trying to resolve the problems in their relationship, the external drama does force both characters into poignant moments of self-reflection. Jeff thinks she is not made for the adventurous life he leads. The police arrive and arrest Lisa when Thorwald indicates that she broke in to his apartment.

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Themes and Structures in Alfred Hitchcock's Rear Window

rear window themes

Thorwald's wedding ring on it. . He does this with some hesitation at first, but he is sweetly rewarded after. However, in 1954, gender roles were very specific and it is shown throughout the film, Rear Window directed by Alfred Hitchcock. Some of the most important life characters are represented by the lonely dancer, the happy newly wedded couple and Thorwald who is a murderer Modleski, 2015, p87. The love stories are playing in each apartment complex being viewed by the Jeffries. Retrieved August 23, 2016.

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Analysis of Themes in Rear Window Essay Example

rear window themes

And it also becomes even more clear that Mrs. Access Rear Window by Alfred Hitchcock Downloadable Sample Paragraph and Examples of Analysis here! The plots that are played out before his eyes become more important than his own personal life. The audience is instead placed in proximity to Jeff in order to view what he is viewing and how he gets stuck in most situations. And then there is the mysterious salesman, whose nagging, invalid wife 's sudden absence from the scene ominously coincides with his middle-of-the-night ventures into the dark, sleeping city with his sample case. He is somewhat pessimistic, though not completely hopeless, he challenges audiences to examine habits of their own especially in a world where sensitive information is at our fingertips. In an explicit example of a condemnation of voyeurism, Stella expresses her outrage at Jeffries' voyeuristic habits, saying, "In the old days, they'd put your eyes out with a red hot poker" and "What people ought to do is get outside and look in for a change. Mr Thorwald's marriage is depicted by Hitchcock as being unsuccessful because he and his wife do not get along.

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Analysis of Themes in Rear Window

rear window themes

Jeff baits the businessman into leaving his apartment by anonymously phoning him and sending him a letter, threatening to tell everything to the police. Bored with his uneventful life he becomes completely obsessed with the lives of his neighbors spending the majority of his waking hours watching them from his window. Jeffries soon becomes aware of the changes in the other relationships across the block. Probably had an unhappy marriage. She is unable to divert his attention from the window even with the most forward flirtations. In terms of technology, the film is quite bending and leaves the intrigues associated with technology.

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Rear Window Themes

rear window themes

Jeff expresses his own opinions on marriage in a conversation with Stella at the beginning of the film. Many critics have elaborated on the protagonist's fixation on male sexual dominance and his voyeurism. The window is a symbol for what the newlyweds display to the outside world. That feminine intuition sells magazines - but in real life, it's still a fairy tale. Morality The morality of Jeff's spying forms a strong theoretical undercurrent in Rear Window. She misses her boyfriend and so, like the Songwriter, surrounds herself with other people to numb the pain. At this point her passivity as a woman is revealed.

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Rear Window

rear window themes

He raises the same points we would and asks the same questions as if we were there with him, or as if we were him. This is why Hitchcock draws them together at the end. Even when at the end, Jeff and Lisa are finally together the ending leaves some ambiguous signs concerning their future happiness together; nothing much has changed, Jeff is still an invalid with now two broken legs and Lisa has to nurse after him and reads a book on the Himalayas — implying she is the one who will have to change lifestyle. The visual structure of the film is a more parallel one, as most characters are depicted as going about their daily lives. Journal of Criminal Justice and Popular Culture, 15 2 , pp. Some of these films are Psycho, Perfect Crime, The Man Who Knew Too Much and Rear Window. Does the film betray some old-fashioned stereotypes on marriage? Lisa finally becomes the subject of his gaze and only then does Jeffries show any sexual attraction towards her.

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