Ruby Moon is a play written by Australian playwright Matt Cameron. The play is a contemporary retelling of the traditional fairy tale "Hansel and Gretel," set in a suburban neighborhood in Australia.
The play follows the story of Ray and Sylvie, a young couple who are struggling to come to terms with the disappearance of their daughter, Ruby Moon. As they search for answers and try to find a way to move on, they are aided by a cast of eccentric and mysterious characters, including a mysterious woman named Flamingo and a man with a pet crocodile.
One of the central themes of the play is the power of imagination and the importance of holding onto hope. Ray and Sylvie's search for their daughter is fueled by their love for her and their belief that she is still out there somewhere. Despite the challenges and setbacks they face, they never lose hope and continue to hold onto the possibility that they will one day be reunited with Ruby.
Another theme of the play is the blurred lines between reality and fantasy. The characters in the play often question what is real and what is simply a product of their imagination. The line between reality and fantasy becomes especially blurred when Ray and Sylvie begin to uncover the truth about what happened to Ruby and the role that Flamingo and the other mysterious characters played in her disappearance.
Overall, Ruby Moon is a thought-provoking and emotionally powerful play that tackles themes of loss, hope, and the power of imagination. It is a poignant reminder of the importance of holding onto hope and the power of love to overcome even the most difficult of circumstances.
Ruby Moon Play Analysis
This almost constant use of sound effects throughout the play gives the director a simple way of drawing attention to dramatic tension, acting as a kind of soundtrack, with, for example, the sound of a phone ringing, accentuating the silence between Ray and Sylvie by suddenly breaking it. In class presentations, many groups expressed that they felt the set should be small and intimate. When considering how to highlight the personal and social tensions in Ruby Moon, we must consider what particular tensions play an important role and which characters the tensions are between. The descriptive nature of the stage directions and the very act of reading as opposed to just seeing on stage, being able to take time to look over each line, means that a reader can see which scenes accentuate the tension between both Ray and Sylvie or the characters they have created. Northern Stage's production of Matt Cameron's 2003 play was scheduled long before the abduction of Madeleine McCann. It flowed well and it had energy and a dynamism that held audience interest.
Ruby Moon Monologue
. Stage directions in the play plainly describe when a pause on stage is to be tense, or what the vibe is supposed to feel like during a particular scene. One obvious example of the directors input was the location of Elisabeth's bedroom at the top of the two story stage. This is most clearly highlighted through symbolic use of lighting and set design and emotive language. When staged in the right way, Ruby Moon is designed to make the audience uncomfortable and tense. They live it every day: laying a place at the dinner table for the child who never comes home, replaying granny's answerphone message, refusing to move in case the child miraculously returns and finds nobody there, reliving their guilt at not being there when their daughter really needed them.
Ruby Moon
She's most known for getting "slushied" in her face. The characters include a Parrot-owning Christian, a wanna be clown, an ex-solider, a seductive temptress, a former babysitter and a mad scientist. . It should stick with us, create memories, and inspire us to see more theatre and art. As Ray and Sylvie dress up, it was decided by many groups that they should don just a few key costume pieces that they feel sum up their character.
Ruby Moon — Ad Astra
When reading the play "Ruby Moon" it is easy to pick up on the personal and social tensions between characters. Most of the dolls, dressings, and pieces you see in the room belong to members of this production and all come with their own history bringing an extra element of nostalgia and sentiment. As they review everything they know about the case the story turns into a detective inquest, they question all the eccentric characters on the street to try and seek clues as to what actually happened to their daughter Ruby. In Flaming Tree Grove everything seems to be perfect. It painstakingly unpicks the nature of grief, the secret lives of children and adults, the desperate loneliness of community, what it means to lose and be lost and the desperate games we play when the nights are long and sleep never comes.
Ruby Moon Analysis
Aside from the use of audio, costuming and staging to get these tensions across, it is largely up to actors to make sure the audience can pick up on the vibes of the play, leading up to moments in such a way that the audience can feel tension in the air. It is a story about a well known tragedy. The audience is also forced to look at the opposing views of love and fidelity as represented by Lewis and the minor characters. To bring them to the stage these social and personal tensions must be identified. Where is Ruby and who knows what happened to her? This means that actors will always be in close proximity with each other.
Personal And Social Tensions In The Play Ruby Moon
Order custom essay Personal And Social Tensions In The Play Ruby Moon with free plagiarism report Not only this, but underneath the eeriness of this play lies a very real, deeply tragic story of two parents who have lost their child and gone mad to cope with the grief of never knowing what happened to her. Rachel is considered to be unpopular with most of the other students because she comes across as being self-involved and very controlling. To promote …show more content… I must be able to shape, interpret and use the elements of drama to create particular effects for an audience. At the same time, he meets a sophisticated… AND THEY DANCE REAL SLOW IN JACKSON The director's staging played an important part in clearly conveying the action. All that is found of her is a doll and a butterfly hair clip. Audience are rewarded with an intricate, timeless, and transformative performance.
Ruby Moon
It shined a light on guilt and mental health unapologetically, as only theatre can do. The consciousness ensemble was also well directed in their moans and hand motions as well as the lighting scheme, seeming to make it obvious that the scene was out of reality. The way Ruby Moon shapes and styles the play, makes is an absurd piece of theatre, and this amplifies the exclusivity of Australian Contemporary…. Working on this production has pushed us all outside of our comfort zones and I am forever grateful for that. Please see the event calendar when booking for the available date s and time s of this performance. In a state where the memory of Daniel Morcombe is never far from our minds when we hear of a report of a missing child, we can all relate to this terror. Bringing these tensions onto stage, however, is a more difficult task.
It also takes on the style of an absurdist drama as this means that a realistic lifestyle is portrayed in the text although in an unrealistic or exaggerated presentational way. The play itself is a representation of how little they can peer out their curtains to the outside world. It is episodic in that it contains a prologue and an epilogue with a series of ten short, self-contained scenes which run strictly with no interval, each scene having its own narrative and complication. Who could be that cruel? So much so that the reject every opportunity to find out for fear of it being bad news, in favour of keeping up the game they play with each other. The dramatic structure is cyclical and episodic.