Sonnet 42, also known as "That thou hast her it is not all my grief," is a poem written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence, a group of sonnets addressed to a young man of great beauty and talent.
In this sonnet, the speaker laments the fact that the Fair Youth has been unfaithful and has given his love to another woman. The speaker describes the pain and heartache that this betrayal has caused him, saying "That thou hast her, it is not all my grief, / And yet it may be said I loved thee dear." He goes on to explain that his love for the Youth was so great that he was willing to share him with others, even though it caused him great suffering.
Despite the speaker's feelings of hurt and betrayal, he also shows a sense of resignation and acceptance. He acknowledges that the Youth is free to love whoever he chooses, and that it is not up to the speaker to dictate his actions. He says "Love's not Time's fool, though rosy lips and cheeks / Within his bending sickle's compass come." This line suggests that love is stronger and more enduring than time, and that it is not affected by the passing of years or the fading of beauty.
Throughout the sonnet, the speaker grapples with the complexities of love and loyalty. He admits to feeling a deep sense of loss and sorrow at the thought of the Youth being with someone else, but at the same time he recognizes that he has no right to demand the Youth's loyalty or faithfulness. This tension between emotion and reason is a common theme in Shakespeare's sonnets, and it adds depth and complexity to the speaker's character.
In the final lines of the sonnet, the speaker reflects on the fleeting nature of beauty and youth, and the way in which they are inevitably consumed by time. He says "But be contented: when that fell arrest / Without all bail shall carry me away, / My life hath in this line some interest, / Which for memorial still with thee shall stay." This suggests that the speaker has found some solace in the fact that, even though he may not have the Youth's love in life, his memory will live on after his death.
Overall, Sonnet 42 is a poignant and moving reflection on the pain and joy of love. It showcases Shakespeare's skill as a poet, as well as his ability to capture the complex and often contradictory emotions that love can evoke.
Shakespeare's Sonnets Sonnet 42 Translation
This offense was referred to in Sonnets 33-35, most obviously in Sonnet 35, in which the fair lord was called a "sweet thief. The idea that the fair lord and the poet are "one" is common in the sonnets; for example, it was asserted in Sonnets 36, 39, and 40. That you have her is not all of my sadness, And it is true to say that she was precious to me. Can anyone reach Maddy and discover the truth before her fate is sealed? Sonnets are very old, as a matter of fact they date back to the thirteenth century when they… Figurative Language of Shakespeare's Selected Sonnets: 18,33,55, and 130 William Shakespeare wrote one hundred fifty-four sonnets. But as enemies that have lurked in the background start moving into the light, those challenges are not hard to find. The parallelism of the anaphora ultimately unifies the octave with the sestet, allowing the poem to progress and develop whilst maintaining its congruity.
While the word "loss" dominates the poem, it is balanced by the word "love," which also appears six times. The couplet has a rhyme scheme of GG, and concludes… Romeo and Juliet: Influence of Context Sonnets were popular in the Elizabethan period because it was thought of as contemporary. The sestet eases the load, resolves the problem or doubt, answers the query, solaces the yearning, realizes the vision. In addition, the final verse of the poem is the longest line. Again in line 9, the two words are woven into the same line, "If I lose thee, my loss is my love's gain," demonstrating how tied together the two ideas are in the speaker's mind. The two characteristic sonnet types are the Italian Petrarchan and the English Shakespearean.
The second quatrain has a rhyme scheme of CDCD, and strengthens the comparison of the beloved to a summer 's day. Nothing will ever be the same for her darling girl. And these two women will never cross paths. New York, New York. The use of the term "loving offenders" in line 5 can have two meanings: that the offenders the fair lord and the mistress are in love; but it can also mean that they seem to enjoy their offense. The rhyme scheme is ABAB CDCD EFGEFG. In the first and third lines, Shakespeare emphasizes pronouns by putting them in metrically strong positions, encouraging the reader to place contrastive accent on them, thereby emphasizing the antithetical relationships plaguing the Speaker.
The English Shakespearean form, on the other hand, is so different from the Italian though it grew from that form as to permit of a separate classification. Because the mistress and the youth are having an affair, the speaker comes to the logical conclusion that he and the youth are that much closer. This technique is common in the Sonnets, and continues through this sonnet. So I forgive you two who, through making love with each other, offended me; you love her, because you know I love her, and she puts up with your affections because she knows I love you. And the language strikes back at its poet with the pain-as-cross metaphor invoked by his attempt to move away from love-as-ownership, towards higher, self-sacrificing understanding of love. If I lose you, my loss is my lover's gain, And losing her meant my friend found what I had lost; Both of them find each other, and I lose them both, And both of them make me suffer for my own sake.
GradeSaver, 19 October 2005 Web. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words. Over the centuries there have been different types of sonnets. The octave and sestet division is not always kept; the rhyme-scheme is often varied, but within limits--no Italian sonnet properly allowing more than five rhymes. I believe this has definite meaning to the structure of the poem.
Loving offenders, thus I will excuse ye: Thou dost love her because thou knowst I love her; And for my sake even so doth she abuse me, Suff'ring my friend for my sake to approve her. But his self-story transforms the triangle into a cross, putting himself into the centre of the whole situation: Loving offenders, thus I will excuse ye: Thou dost love her, because thou knowst I love her; And for my sake even so doth she abuse me, Suffering my friend for my sake to approve her. If I lose you, my loss is a gain to my love; and losing her, my friend picks up that loss. That thou hast her, it is not all my grief, And yet it may be said I loved her dearly, That she hath thee, is of my wailing chief, A loss in love that touches me more nearly. My interpretation of a sonnet is a poem that consists of fourteen lines and is guided by a very specific rhyme scheme or even a certain structure, which by the way varies because the numerous types of styles in which one can write a sonnet. And all this on a small stretch of land where, nearly 10 years ago, the shocking disappearance of a young girl remains an open case. The main cause of my wailing is that she has you , A loss in love that affects me more deeply.
This weak reasoning, that since the poet and the fair lord are one, by loving the fair lord the mistress in fact loves the poet, is not sincere. And how it builds up is related to its metaphors and how it moves from one metaphor to the next. Shakespeare Sonnet 42 - That thou hast her, it is not all my grief directory search SONNET 42 That thou hast her, it is not all my grief, And yet it may be said I loved her dearly; That she hath thee, is of my wailing chief, A loss in love that touches me more nearly. It consists of 14 lines, divided into three quatrains and a rhyming couplet. The first, the Italian form, is distinguished by its bipartite division into the octave and the sestet: the octave consisting of a first division of eight lines rhyming abbaabba and the sestet, or second division, consisting of six lines rhyming cdecde, cdccdc, or cdedce. If you have found this content useful why not read some fascinating facts about the. One of the most modern types of sonnets is known as Free Form.
The rhyme scheme of the first quatrain is ABAB, and introduces the primary notion of the sonnet, it being the comparison of the speaker 's beloved to a summer 's day. And in the same way, she abuses me for my own sake, putting up with my friend making love to her because she knows I love him. But consciousness is a liar, and its stories are incomplete at best, and often amount to self-deceit. Sonnets gained attention because of the way it was used as poetry. In this visually deserted sonnet, the cross is falling on me, like the naked truth breaking through the veil of empty lies. Every line of the poem has a basic stressed and unstressed syllable format, except the last line.
No Fear Shakespeare: Shakespeare’s Sonnets: Sonnet 42
And the most troubling aspect of it is that language is not just a means of communication, it is also an essential instrument of thinking, a covert shaper of our understanding of the world. Loving offender, thus I will excuse ye, Thou dost love her, because thou knowst I love her, And for my sake even so doth she abuse me, Suffering my friend for my sake to approve her. Shakespeare's word choice is remarkable. The Reader and Shakespeare's Young Man Sonnets. What a happy delusion! Iambic pentameter is essentially the meter, but here again certain poets have experimented with hexameter and other meters. Shakespeare is wrestling with his Language — just like in the story of Jacob wrestling with his God in Genesis 32:21-33.
A Short Analysis of Shakespeare’s Sonnet 42: ‘That thou hast her it is not all my grief’
Although the Shakespearean sonnet, written in iambic pentameter with three quatrains, a rhyming couplet, and a rhyme scheme a-b-a-b c-d-c-d e-f-e-f g-g, was not crafted by Shakespeare, he made it popular and wrote many sonnets… Sonnet 116 Sonnet 116 is just one of the many great works of Shakespeare. That thou hast her it is not all my grief, And yet it may be said I loved her dearly; That she hath thee is of my wailing chief, A loss in love that touches me more nearly. So, is Shakespeare defeated by his language? The primary objective of this sonnet is to define the speaker's role in the complex relationship between the youth and the mistress. By the thirteenth century, it had come to signify a poem of fourteen lines following a strict rhyme scheme and logical structure. .
