King Ashoka the Great was an Indian emperor who ruled from 273 to 232 BCE. He is remembered for his military conquests, as well as for his efforts to spread Buddhism and promote nonviolence throughout his empire. Ashoka is often depicted in various images as a powerful, wise, and compassionate ruler.
One common image of Ashoka is that of a strong, imposing figure. He is often depicted with a muscular build and a regal bearing, symbolizing his power and authority as a ruler. This portrayal is further emphasized by his royal attire, which often includes ornate robes, crowns, and other symbols of his status.
Another image of Ashoka that is commonly seen is that of a wise and thoughtful ruler. This is often depicted through images of Ashoka seated on a throne, with a calm and contemplative expression on his face. In these depictions, Ashoka is often shown surrounded by advisors or scholars, symbolizing his interest in learning and his desire to seek out the best counsel for his empire.
A third image of Ashoka that is often seen is that of a compassionate and caring ruler. In these depictions, Ashoka is often shown surrounded by the people of his empire, with a compassionate expression on his face. This image is meant to convey Ashoka's concern for the well-being of his subjects, and his desire to see them thrive and prosper.
Overall, the images of King Ashoka the Great that have been passed down through the ages convey a sense of his power, wisdom, and compassion. These qualities, combined with his efforts to promote Buddhism and nonviolence, have made Ashoka a beloved and revered figure in Indian history.
Toru Dutt: "Our Casuarina Tree"
Earlier, young baboons were said to play in the tree 17 ; now the tree is associated with the play of human children 25. The memory of the tree is the only link she has been left with, about her past and the cheerfulness of that memory is what makes her relive her childhood. The poet spends her winter watching the baboon sitting on top of the tree. The poet could communicate with the tree even when she was in a far-off land as she could hear the tree lamenting over her absence. The tree keeps the memories of Aru and Abju fresh in the mind of the poetess. The music which Toru Dutt refers here is not an ordinary music which we hear in our day to day life; it is a music of the soul, which once it is attained, never dies, and continues to vibrate with the highest percipience in the mind of the seeker. The memories of her brother and sister brings tears into her eyes.
Our Casuarina Tree Summary
On the other hand, an elegy is a song of mourning on the death of some relative, friend or benefactor. At dawn when the poet opens her window she is delighted to see the Casuarina Tree. For some readers, the tree symbolizes the ancient and venerable culture of India, while the huge encircling creeper symbolizes the potentially deadly influence of colonialism. This is why you will sometimes see books or magazines called "trees" where each page represents a different topic. The casuarina tree is tall and strong, with a creeper winding around it like a 1 python. This is why trees are used in celebrations related to life, like birthdays and anniversaries.
Critical Appreciation of the Poem Our Casuarina Tree by Toru Dutt
The tree reminds her of her lost brother and sister with whom she used to play under the tree. No other could live in such a situation but the casuarinas display great courage against the creeper. She remembers everything about the tree and describes every aspect and every feature of her casuarina tree with full fervour and zeal. The tree keeps the poetess in an emotional touch by making her remember of the sweet moments that she has passed in the company of Aru, her sister and Abju, her brother under the tree. In theme, it dives deep into the deep and unfathomable ocean of the Vedanta and the Upanishad of body and soul, life and death and above all, the transcendental flight of imagination which mitigates the sorrows and sufferings of the body. It is true that she is living far from her native place i. Prompted by its success, she turned to Sanskrit literature and in 1882 her book, Ancient Ballads and Legends of Hindustan was published.
