Equality and diversity are two important concepts that are closely related and often used interchangeably. However, they have distinct meanings and implications for how we interact with others and create a just and inclusive society.
Equality refers to the idea that everyone should be treated equally and given the same opportunities, regardless of their background, race, gender, religion, sexual orientation, or any other characteristic. This means that there should be no discrimination or prejudice based on these factors, and everyone should be able to participate fully in all aspects of society.
On the other hand, diversity refers to the differences that exist among people, such as their cultures, backgrounds, experiences, and perspectives. It is about recognizing and valuing these differences and creating a society that is inclusive and welcoming to people from all walks of life.
Both equality and diversity are important for building a fair and just society. When everyone is treated equally and given the same opportunities, it helps to reduce inequality and promotes social cohesion. It also helps to create a more vibrant and innovative society, as people from different backgrounds can bring new ideas and perspectives to the table.
At the same time, diversity helps to enrich our society and can lead to a more harmonious and understanding community. By embracing and valuing differences, we can learn from one another and create a more inclusive society where everyone feels welcome and accepted.
However, achieving equality and diversity is not always easy. There are often obstacles and challenges that need to be overcome, such as discrimination, prejudice, and systemic barriers that prevent some groups from fully participating in society. It is important that we work together to address these issues and create a society that is truly equal and diverse.
This can involve education and awareness-raising to challenge stereotypes and prejudices, as well as policies and legislation that promote equality and diversity. It also involves creating a culture of inclusivity, where everyone is valued and treated with respect, regardless of their background or identity.
In conclusion, equality and diversity are essential for building a fair and just society. By treating everyone equally and valuing diversity, we can create a more inclusive and harmonious community that benefits everyone. It is up to all of us to work towards this goal and ensure that everyone has the opportunity to thrive and contribute to society.
. He turns to Isolde, who agrees to follow him again into the realm of night. On 21 July 1865, having sung the role only four times, Ludwig died suddenly — prompting speculation that the exertion involved in singing the part of Tristan had killed him. They become the apotheosis of tragic lovers. Since then under his direction, They had indeed served him so well, So reverently, as tales tell, No kingdom ever served a king More faithfully in everything. The story itself also raises problems. According to Stephen Calloway, 'Beardsley had an obsessive interest in Wagner, and avidly attended the London performances of the works.
Tristan and Isolde: Gottfried von Strassburg is All About the Love…
They by their mere presence there Shed joy and rapture everywhere, And gladdened many a true heart. And woe to me, if that should be, That all do set their gaze on me, And cry that two realms, mine the blame, Were both disgraced and put to shame. Amongst all the extant romances, Beroul's Tristan has a special claim on our attention not merely because it happens to be the oldest but because it comes closest to preserving what may be called the raw material of the legend. Tristan in the Underworld: a study of Gottfried's "Tristan" together with the "Tristran" of Thomas. No life at all remained within her, Except the life that made her suffer, The child within that suffering brought, That life that with her own life fought. I heard many a lady fair, Bandying his fame here and there, Like a ball struck to left and right, Singing his praises as a knight, Praising his body, and his wit, Speaking always to his credit.
They desire the clearing of their names at court, however, so when the opportunity arises, they feign polite distance and convince the malleable king again of their innocence. By the end of 1854, Wagner had sketched out all three acts of an opera on the Tristan theme, based on Gottfried von Strassburg's telling of the story. Now all is over, all, be it said, For now brave Rivalin is dead. In birth he was the peer of kings, A prince in lands, and sundry things, Handsome in person, and delightful, Brave, noble, generous and faithful; To those whose joy in his gift lay This lord, he brought joy every day, As with its brightness does the sun. For her heart-ache was such that she Could barely hear and scarcely see.
So he began to doubt again What it was she truly desired, And by what motive she was fired, Whether it was by love or hate, He wavered thus from state to state, His spirit flying to and fro, His thoughts indeed wandering so, Now settling here, now settling there, That he was netted in the snare; Twisting about, this way and that, By his own mind he was trapped, Till he, entangled so in thought, Powerless to escape, was caught. He made recordings of both versions on 78s and again on LP. Tis how things are, when all is said; The world must do without him now, May God in heaven lave his brow, Who never failed a like brave heart! Many a man was sorely pressed, Many were wounded in the breast, Many lay dead upon that field. Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. But when I claim that they have sung The tale, yet read it not aright, Then, say I, I am in the right. Rivalin attacked these anew, Invested them and skirmished too, Fighting so relentlessly Their defenders had to flee Scurrying back inside the walls, While, before them, Rivalin calls For tournaments and such displays.
Cambridge: Cambridge University Press. Tristan is wounded with a poisoned spear by Estult li Orgillus, and sends for Isolde the Fair, who is the only one who can cure him. Recordings reviewed by Geoffrey Riggs. In that fell war where few did yield Fell, worthy of lament, that knight, Whom the world should grieve outright, If it were not a waste of breath To grieve for one long lost to death. A vessel lay there close at hand And this boat now was soon equipped, For Rivalin, and stores were shipped, And horses then were slung aboard, For this sudden voyage abroad.
Frequent moments of Tristan-inspired tonality mark Debussy's early compositions. Now when the lovely Blancheflor Knew what journey lay in store, Why then, for her beloved man Once more indeed her ills began. And King Mark, the noble and good, The paragon there of knighthood, Beside the beauties there arrayed, Among the pavilions displayed, Set there another gem, alone, A rarest wonder of his own, And that was Blancheflor, his sister, A lovely girl, far lovelier Than all fair women anywhere. Why would noble mind, if it could, Not suffer ill for endless good, For many joys but one sorrow? The Liebestod can be performed either in a purely orchestral version, or with a soprano singing Isolde's vision of Tristan resurrected. Wagner: A Documentary Study. Retrieved 29 December 2020.
The deaths of Tristan and Isolde would then seem inevitable, in that their love could not overcome the contemporary social order. Gottfried died in 1210 with the romance unfinished. My child I must raise, that same Will have indeed a living father, Yet helpless to aid its mother. This influence, together with his discovery of the philosophy of Tristan und Isolde. I have lived, so far, in this way, Have passed my hours so, day by day, Receiving both help and guidance, In every troubling instance. And for years, it seems, Mark, Fair Isolde, and Tristan live what can only be called a willing lie, Mark in love with Isolde, Isolde in love with Tristan, Tristan in love with — Isoldes more on this later as Gottfried explains: And who isto blame for the life so bare of honor that Mark led with Isolde? His thorough familiarity with Latin literature and rhetorical theory suggest someone who had enjoyed a high level of monastic education.
What can it be has gone amiss, And has so greatly displeased her? Another important point in Schopenhauer's philosophy is his view that happiness cannot be found with one woman only — his reason for never marrying. This is followed by a series of intrigues in which the lovers attempt to dupe Marke, starting with the wedding night, when the virgin Brangaene substitutes for Isolde in the marriage bed. Soft summertime had decked the stage With all her sweetest industry, And smoothed the fields in gaiety. It is incredibly complex, marked by the extensive use of Tristan as a whole, as well as in the structure of individual passages. The death of Rivalin RUAL returned then to his sire, And the pair conferred together, Regarding all the land did suffer, The present trouble and discord. Now, as evening began to fall, He came to his ship in harbour, And taking his things aboard her, Found his lady already there, The lovely Blancheflor; with care The ship was readied, and set sail, And bravely weathered every gale.
The law of probability finally makes perpetual evasion impossible, however, and their long-secret affair is discovered. In Börnchen, Stefan; Mein, Georg; Strowick, Elisabeth eds. His former life now went awry, His heartfelt laughter now did die, And the smile once seen so often, Now appeared so very seldom, That silence and deep sadness too Was now the only life he knew, Seeing that all his joyfulness Had yielded so to lovesickness. Wagner uses the metaphor of Day and Night in the second act to designate the realms inhabited by Tristan and Isolde. . He knew that of hers equally.