Twelfth night viola and olivia act 1 scene 5. Twelfth Night: Act 1, Scene 5 2022-12-29
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In Act 1 Scene 5 of Shakespeare's Twelfth Night, we see the first interaction between Viola, who is disguised as a man named Cesario, and Olivia, the woman she is sent to woo on behalf of Duke Orsino. The scene opens with Olivia's maid, Maria, sending Viola/Cesario away, saying that Olivia is in mourning for her brother and will not receive any visitors. However, Viola persists and delivers a message from Duke Orsino to Olivia, declaring his love for her.
Olivia initially resists Orsino's advances, saying that she is in mourning and has vowed to remain chaste for seven years. However, as Viola/Cesario speaks on behalf of Orsino, it becomes clear that Olivia is beginning to develop feelings for the messenger. She becomes flustered and agitated, asking Viola/Cesario to leave before she succumbs to her emotions.
This encounter between Viola and Olivia highlights the themes of disguise and identity that run throughout Twelfth Night. Viola, who is dressed as a man, is able to gain access to Olivia and deliver Orsino's message, even though a woman would not normally be allowed to do so. This disguise allows Viola to move freely in a world where gender roles are strictly defined and women are often confined to the domestic sphere.
At the same time, however, Viola's disguise also creates confusion and misunderstanding. Olivia is clearly drawn to Viola/Cesario, even though she believes him to be a man. This attraction ultimately leads to the comedic misunderstandings and miscommunications that drive much of the plot of Twelfth Night.
Overall, Act 1 Scene 5 of Twelfth Night sets the stage for the complex and dynamic relationship between Viola and Olivia, two strong and independent women who must navigate a world where their identities are constantly in question.
William Shakespeare
Infirmity, that decays the wise, doth 75 ever make the better Fool. Olivia remarks that the letter does not sound like it was written by someone crazy. Enter MARIA and Clown MARIA Nay, either tell me where thou hast been, or I will not open my lips so wide as a bristle may enter in way of thy excuse: my lady will hang thee for thy absence. Twelfth Night SCENE V. OLIVIA Give us the place alone. OLIVIA Yet you began rudely. Exit Re-enter MALVOLIO MALVOLIO Madam, yond young fellow swears he will speak with you.
Viola and her twin brother, Sebastian, got into a shipwreck that separated them. Love cannot be controlled; instead, it controls people. OLIVIA 'Tis in grain, sir; 'twill endure wind and weather. Malvolio's reaction to the fool's jokes establishes both his isolation from the other servants and his general humorlessness. Viola washes up onto Illyria's shore. Good beauties, let me sustain no scorn. We know that this must be Malvolio comes back, reporting that the young man refuses to leave the house until he has spoken with Olivia.
Hearing this, Olivia gives in: she agrees to see the messenger. OLIVIA Let him approach. What is the misunderstanding between Sir Toby and Sir Andrew? But if you were the devil you are fair. She quickly asks Maria to giver her a veil to hide her face. How with a sportful malice it was followed, May rather pluck on laughter than revenge, If that the injuries be justly weighed That have on both sides passed. Bid the dishonest man mend himself; if he mend, he is no longer dishonest; if he cannot, let the botcher mend him. His life I gave him and did thereto add My love, without retention or restraint, All his in dedication.
William Shakespeare's Twelfth Night: Act 1 Scene 5 Overview Twelfth Night is a play written by William Shakespeare in the early 1600s. Summary: Act I, scene v Make me a willow cabin at your gate And call upon my soul within the house. MALVOLIO Madam, yond young fellow swears he will speak with you. OLIVIA 225 In his bosom? Like Viola, then, Feste wears a kind of disguise: hers disguises her identity as a woman, while his conceals his true intelligence. Furthermore, Olivia falls in love with Cesario after a few pretty speeches—but Cesario is really a woman who has herself fallen in love with Orsino in a matter of days! If you don't laugh at him, he can't think of anything to say. OLIVIA O, you are sick of self-love, Malvolio, and taste 90 with a distempered appetite. I will give out divers schedules of my beauty.
Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech. Orsino reassures Olivia, telling her that the twins have noble blood. She begins to recite her set speech, but interrupts herself, and soon departs from her official text and starts to improvise. VIOLA Good madam, let me see your face. FOOL God send you, sir, a speedy infirmity, for the better increasing your folly! Fare you well: I thank you for your pains: spend this for me. OLIVIA Make your proof.
You'll be Cesario to me while you're still a man, but when I see you in women's clothes, then you'll be Orsino's mistress, and his love's queen. I told him you were asleep. And yet by the very fangs of malice I swear I am not that I play. As Fabian tries to get Feste to let him read it, Orsino arrives with Cesario and several others. In the blink of an eye he became a totally different person, and he refused to give me back my own purse, which I had lent to him just half an hour before. If it will not, what remedy? OLIVIA Who of my people hold him in delay? Look at him now, he's without a witty retort already.
Clown Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him. Viola herself, of course, is in disguise as the young Cesario and, furthermore, as Cesario, she is playing a part because as Cesario, she has memorized a speech that is to be delivered to Olivia. Were you only sent here to praise my beauty? Cesario replies that he is a gentleman by birth, although conditions have reduced him. Well, let it be. Olivia seems to be insulted by this as she then refuses to confirm that she is the lady. Because you served me so well, doing things that no woman, especially one of your noble birth, should be expected to do, and because you called me "master" for so long, I will offer you my hand in marriage. The Countess decides to receive him, throwing on a veil.
What happens in Act 1 Scene 5 of the Twelfth Night?
If that this simple syllogism will serve, so; if it will not, what remedy? She commands Malvolio to chase down Cesario, return the ring, and instruct him to come back on the following day to hear her reasons for rejecting it. OLIVIA Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To tell me how he takes it. OLIVIA Whence came you, sir? But hear me this: Since you to nonregardance cast my faith, And that I partly know the instrument That screws me from my true place in your favor, Live you the marble-breasted tyrant still. OLIVIA 115 By mine honor, half drunk! To be generous, guiltless and of free disposition, is to take those things for bird-bolts that you deem cannon-bullets: there is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove. Accessed December 30, 2022. Give me faith, say I. Or to be turned away, is not that as good as a hanging to you? I shall answer for her.
CLOWN I think his soul is in hell , madonna. Even so quickly may one catch the plague? But it's definitely Maria's handwriting. OLIVIA 145 Tell him he shall not speak with me. The Priest, seeking to restore order, only adds to the chaos. You can't deny that it's in your handwriting.
