Eunice d souza. Eunice de Souza: A Biographical Note 2023-01-02
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Eunice de Souza was a prominent Indian poet and critic who was known for her insightful and deeply personal poetry that explored themes of love, loss, and identity.
Born in Bombay in 1940, de Souza was educated at St. Xavier's College and later received her MA in English literature from the University of Bombay. She began her career as a teacher and later worked as a freelance writer, contributing articles and reviews to various publications.
De Souza's poetry was marked by its wit, intelligence, and emotional depth. She wrote about the complexities of relationships, the pain of loss, and the search for identity in a rapidly changing world. Her poems often featured strong, independent women as their central characters, and she was known for her feminist perspective and her critique of traditional gender roles.
In addition to her poetry, de Souza was also a respected critic and academic. She wrote extensively about Indian literature and culture, and her work was widely published and anthologized. She received numerous awards and accolades for her contributions to literature, including the Sahitya Akademi Award, the Crossword Book Award, and the Padma Shri.
De Souza's work has been widely admired for its ability to capture the complexities of human experience in a way that is both relatable and thought-provoking. She remains an important figure in Indian literature and an inspiration to poets and writers everywhere.
Six poems by Eunice De Souza (1940
Retrieved 24 September 2008. In different ways de Souza examines problems and uncertainties associated with color and with ethnic divergences. Even this poem has forty-eight words too many. Advice To Women Keep cats if you want to learn to cope with the otherness of lovers. Almost all her poems reveal her strong sense discomfort with patriarchal institutions.
The speaker and her ilk are unapologetic about arriving late every Christmas, and smug in their infantilization of the poor — telling them what they can and cannot have. It is clear that de Souza's brief inscriptions, often seemingly casual in their mode of delivery, are taut with repressed levels of deep anxiety. She pinned paper sleeves onto our sleeveless dresses. As she dramatizes these voices, de Souza's ear for the trick of speech in Anglicized middle-class Indians lends conviction to her portrayals. She took on a teaching position at St.
Here she examines the performance of Christian charity as a symptom of class privilege, in that it functions as both the condition and the consequence of maintaining social distinctions: Every Christmas we feed the poor. . It is the seemingly innocuous, unremarkable, everyday social lives of her characters, with all the nuances of their speech and behaviour captured dispassionately and without authorial comment, that is most often the subject of her poems. New Delhi: Oxford UP, 1992. She also questions rigid traditions of traditional Christianity in her work.
Even as a professor at S t. Selected and New Poems. Delhi, Critical Studies: "Three Poets Come of Age" by Kersey Katrak, in Sunday Observer Bombay , 12 December 1982; in Modern Indian Poetry in English by Bruce King, Oxford, Oxford University Press, 1987; by Elizabeth Reuben, in Indian P. May the leopards develop A taste for poetry The crows and kites learn To modulate their voices. Other for children All about Birbal. What makes her voice special is the lyrical precision combined with unabashed straight-talk. Her major achievement has been providing a deep understanding of the contemporary social climate and gender relations.
In her earlier work, she spun her verse like a strong net one casts in an ocean of words. Education: University of Bombay, B. I can hear his fat chuckle still. The latest work, Learn from the Almond Leaf, is also singularly unique, if a little mellow. Otherness is not always neglect — Cats return to their litter trays when they need to.
New York: Cambridge UP, 2016. I wish I could be a Wise Woman smiling endlessly, vacuously like a plastic flower, saying Child, learn from me. Bombay, India Book House, 1969. Her poetry draws on her experiences of growing in a Goan Catholic Community. Nothing contained or offered by, on or through Vitals should be construed as medical advice or relied upon for medical diagnosis or treatment.
This is also to say that I read her poetry as a special place. Did she utter her own lines at the final moment? The minor battles of everyday life and work in metropolitan Mumbai constitute the backdrop in which eccentric neighbours, uninspired colleagues, non-committal lovers, fiercely loyal friends and oddly amusing pets appear recurrently as characters. The former is a semi-autobiographical novella in which de Souza adopts her characteristic satirical style to present vignettes from the life of Rina Ferreira, a middle-aged college teacher of English. Thus, in the title poem of her second collection, Women in Dutch Painting 1988 , she conveys a sense of the repressed inner lives of her characters beneath the pretty surface of European art as much as the efficiently managed Indian household. Hermione Gonsalvez" reveals other aspects of nostalgia and of male oppression: In the good old days I had looks and colour now I've only got colour just look at my parents how they married me to a dark man on my own I wouldn't even have looked at him. Dangerlok follows Rina Ferreira a middle-aged lecturer in English literature and poet as she negotiates life as a single woman in Mumbai.
Eunice De Souza: The Woman Who Dominated The Poetry Skyline
Aside from poetry and fiction, de Souza edited numerous anthologies and collections and wrote a weekly column for the Anthology of Contemporary Indian Poetry She died on July 29, 2017, and was remembered as an inspiration to younger people. Beneath a fluent and knowing utterance there stir feelings of anger, confusion, and desolation. The poet questions both the formal manner in which the marriage alliance is made and the relevance of marriage for the protagonist who may actually want to do something else. Her exposure to the American civil rights movement in the 1960s may also have had a formative influence on her response to gender inequality in Indian society. The Vitals website is provided for your informational use only. Eunice de Souza Born Eunice de Souza August 1, 1940 Pune, India Died July 29, 2017 2017-07-29 aged76 Mumbai, India Eunice de Souza August 1, 1940 — July 29, 2017 was an Indian Women in Dutch painting 1988 , Ways of Belonging 1990 , Nine Indian Women Poets 1997 , These My Words 2012 , and Learn From The Almond Leaf 2016.
Some recommend stern standards, others say float along. Other Talking Poems: Conversations with Poets. Bombay, India Book House, n. Her poems commonly explore the loss, alienation and isolation that accompanies womanhood. The project is thus fundamentally concerned with the question of artistic freedom versus narrow identity politics, a debate in which prominent writers like Salman Rushdie and Vikram Chandra have participated. I have prattled endlessly in staff-rooms, corridors, restaurants. In her work, she admirably used colloquial Bandra English and legitimized it.
